Ilya Golosov: Zuev Workers’ Club/Moscow

Giuseppe Terragni’s Casa del Fascio, Como, Italy, has been disassembled to build Ilya Golosov’s Zuev Workers’ Club, Moscow. I can’t decide how much contradiction, even irony, there is in that. Both were built about the same time, early 1930s, late 1920s, a period of intense modernist innovation and debate in which both architects were involved. Both buildings followed and were responses to massive turmoil and social change. Both housed functions meant to serve a broad population, these uses based on political ideology, those ideas hotly debated as well. Most, both are original, striking, and memorable designs, what first drew me to them.

My main interest in both, however, is what we might learn from them and adopt for our current world. The larger our cities grow, the more we spread out, the more we become isolated and culturally diffuse. How can we maintain our common identity and keep our neighborhoods vital? Part of the answer lies in our institutions and the architecture that houses them. My own virtual project suggests a possible solution, explained generally in Centering a Town: St. Johns/First Efforts, with more thoughts and designs here. A modest building, designed well, could do much to serve a neighborhood and visually enhance and anchor it.

Terragni, however, was a Rationalist and Golosov’s Zuev is considered Constructivist—there is much to untangle here that I will put aside.

And both, of course, had in sight different political ideologies.

The club in 1929. The passersby give a sense of a past still present, of the transition the Soviets had to make.

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